Participating in the International Biennial of Contemporary Art City of Varallo was a particularly significant experience for me. From May 24th to June 6th, 2026, I had the opportunity to exhibit my works in the historic halls of Palazzo d'Adda, one of the most evocative buildings in Valsesia. This event, organized by the Soffi d'Arte Association, brought together over one hundred artists from all over Italy and abroad, transforming the city into a place of dialogue, research, and artistic experimentation. Becoming part of such a broad and varied reality always represents an important opportunity for growth and exchange.
A historic palace meets contemporary creativity at the International Biennial of Contemporary Art City of Varallo
One of the most fascinating aspects of the International Biennial of Contemporary Art City of Varallo was the exhibition context. Palazzo d'Adda is not just an exhibition venue, but a place that helps to create a direct dialogue between history and contemporaneity. Walking through the halls of the palace meant encountering different languages: painting, photography, sculpture, and installation coexisted in a journey capable of narrating the many facets of contemporary art. An environment that was able to enhance each work, offering visitors an immersive and engaging experience.
International Biennial of Contemporary Art City of Varallo and the value of encounter
The International Biennial of Contemporary Art City of Varallo was not just an exhibition, but a true moment of encounter. In events like this, something is created that goes beyond the display of artworks: conversations, discussions, and new connections arise between artists from very different backgrounds. I had the opportunity to let my art interact with established authors, emerging young artists, and professionals from various creative disciplines. This continuous exchange represents one of the most valuable aspects of a collective event and contributes to building a vibrant and dynamic artistic community.
My works at the International Biennial of Contemporary Art City of Varallo
For the International Biennial of Contemporary Art City of Varallo, I presented three works that represent different aspects of my artistic research: Do you hear me?, Memories of Blood, and Dirty Water. Although they belong to different creative paths and moments, they all share a reflection on the human experience, the value of memory, and relationships. I chose works that could dialogue with each other and tell some of the themes I have been exploring for years through illustration, poetry, and multidisciplinary narration.
International Biennial of Contemporary Art City of Varallo and Memories of Blood
Among the works exhibited at the International Biennial of Contemporary Art City of Varallo, Memories of Blood addresses a theme that I consider particularly important. The work stems from a reflection on the female condition and the cultural wounds that still permeate our society today. I wanted to represent being a woman as an act of daily courage, highlighting the weight of dynamics that are too often handed down through time. Through symbols and visual metaphors, the work invites us to recognize these invisible scars and to build greater collective awareness.
Dirty Water and Do you hear me? at the International Biennial of Contemporary Art City of Varallo
Even Dirty Water and Do you hear me? found space within the International Biennial of Contemporary Art City of Varallo. These works address the theme of identity, human fragility, and the difficulty of building something that the world can accept. Through symbolic images and a strong emotional component, I have tried to transform personal experiences into universal reflections. One of the aspects that interests me most in my work is precisely this: starting from an individual story to open a dialogue that can involve the observer.
International Biennial of Contemporary Art City of Varallo and dialogue with the public
Throughout the entire duration of the International Biennial of Contemporary Art City of Varallo, the public played a central role. Many visitors actively participated in the exhibition experience, leaving comments, impressions, and personal reflections. This direct exchange is always one of my favorite moments. Seeing how a work is interpreted by people with different sensibilities allows one to understand how art can become a tool for connection. Every conversation born in front of a work represents a small extension of the creative process.
Poetry meets art at the International Biennial of Contemporary Art City of Varallo
A particularly interesting element of the International Biennial of Contemporary Art City of Varallo was the presence of the Biennial Poets group. Some authors read texts inspired by the exhibited works, creating a dialogue between visual language and the written word. This multidisciplinary approach struck me greatly because it reflects a direction I also follow in my artistic research, being a writer and poet myself. For years, in fact, I have been working on the encounter between poetry, image, and new technologies, seeking to build narrative experiences capable of crossing different expressive languages.
International Biennial of Contemporary Art City of Varallo: a shared event
The organizers described this edition of the International Biennial of Contemporary Art City of Varallo as multifaceted, intergenerational, and shared. Having experienced it firsthand, I can only agree. I saw people of very different ages discussing the artworks, families visiting the exhibition together, and artists supporting each other. In a historical moment when divisions are often spoken of, events like this demonstrate how art can still represent an open space for encounter and participation.
Looking to the future after the International Biennial of Contemporary Art City of Varallo
With the conclusion of the International Biennial of Contemporary Art City of Varallo, I bring with me new ideas, new relationships, and numerous insights for reflection. Every exhibition leaves something that continues to influence future work. Participating in an event of this magnitude means confronting different visions and enriching one's creative journey. I thank the Soffi d'Arte Association, the organizers, the artists, and all the visitors who contributed to the success of the event. I am certain that this experience will continue to leave positive traces in my work and in the projects to come.